Festival for multisensory perception
3D audio concerts, exhibition, workshops and lectures
From November 25 to December 4, the sens taktil festival will focus on the overlaps and interactions between the experience of touch and the experience of hearing: in the rooms of ZiMMT and on the grounds of Kontor 80, we invite you to a joint multi-sensory, synaesthetic exploration in which the boundaries between art and the viewer become blurred. In audiovisual concerts with 3D sound or in an ASMR performance, on sound loungers or in walk-in and touchable installations of the tactile exhibition, in workshops, in the festival sauna or on the tactile path, experiences are created that can be heard and felt.
read more
tactile comes from the Latin tactilis, the same root word from which “tact” originates. It means to feel, touch, the sense of touch and primarily refers to the touch we receive. The sense of touch shows us shapes, textures and movements in our surroundings as a puzzle of small individual parts and connects us directly with them.
Tactile and acoustic stimuli overlap: we hear vibrations that cause our eardrums to vibrate. Certain frequencies also trigger vibrations in solid matter, which we perceive tactilely on our skin or in our body. Other acoustic stimuli cause a tingling sensation in the back of the neck without any actual contact.
Timetable
Tickets & Prices
Festival Pass
the ticket for all concerts, performances, lectures & exhibition + 1 sauna visit
70€ (regular)
55€ (reduced)
85€ (soli)
*Tickets are available online or at the box office.
Tactile exhibition
8€ (regular)
5€ (reduced)
12€ (soli)
* Tickets for the exhibition can be purchased directly at the entrance or conveniently online. Online tickets are flexible and valid for a day of your choice.
Opening (🥂27.11.🥂)
7 pm – Keynote by Ercan Altinsoy
8 pm – Performance by Passion Asasu & Cosmo Schüppel
from 8 pm – Sauna
8€ (regular)
5€ (reduced)
12€ (soli)
+7€ for sauna (cash desk at the sauna area)
*Tickets are available online or at the box office.
Workshops
25€ (regular)
*Tickets are only available online.
Concerts & Performances
15€ (regular)
10€ (reduced)
20€ (soli)
*Tickets are available online or at the box office.
SENS:ational Sunday 01.12.
The multi-sensory wellness Sunday at the SENS Festival with live ASMR by WhispersRed, lecture on the connection between sound and taste and sauna with program.
2 – 8 p.m.: tactile exhibition
2 – 10 p.m.: Sauna
6 p.m.: Lecture by Prof. Charles Spence (Sound bites and sonic seasoning)
7 pm: immersive 3D audio ASMR stream performance with WhispersRed
8 pm: Winetasting with Prof. Charles Spence
25€ (regular)
20€ (reduced)
35€ (soli)
*Tickets are available online or at the box office.
Sauna
7€ (regular)
* Tickets are available at the sauna cash desk.
Workshops & Lectures
25.11. — 03.12.
How do sounds change our sensory perception and what do they trigger in us? How can sound spaces be captured? What significance does direct, tactile contact have in an increasingly digital world and how well do we know our tactile sense? We are invited to address these questions in scientific lectures and workshops.
Workshops
• Foley Workshop with Maxi Pongratz
– 25.11. / 5–9 pm
• Ambisonics Impulse Response Workshop with Manu Mitterhuber
– 30.11. / 3.30–7.30 pm
• Shibari workshop with Dasniya Sommer
– 02.12. / 5–9 pm
• tactile workshop for children and teenagers with Luise Wonneberger
– 03.12. / 3–6 pm
Lectures
• Prof. Dr.-Ing. habil. Ercan Altinsoy – 27.11. / 7 pm
• Prof. Charles Spence – 01.12. / 6 pm
Tactile exhibition
27.11. — 04.12.
The sens Festival exhibition wants to be felt and focuses on the overlaps and interactions between the experience of touch and the experience of hearing. In the accessible and touchable installations and on sound couches specially designed for sens, experiences are created that can be heard and felt in equal measure.
Artists:
• burgund t brandt
• Sophia Amelia Eickhoff
• Panayiotis Kokoras
• Loewe Immerlieb
• Theresa Rothe
• Birk Schmithüsen
• Klara Spunk
• Enrique Tomás
• Luise Wonneberger
Opening hours:
🥂Vernissage 🥂🥂🥂 on 27.11. with:
7 pm – Keynote by Ercan Altinsoy (How do we understand the world? – Haptics from the perspective of perception, engineering and art)
8 pm – The Brainless Dancer ⁓ Performance by Passion Asasu & Cosmo Schüppel
from 8 pm – Sauna
Thu + Fri / 16–19:30
Sat + Sun / 14–19:30
Mon – Wed / 16 –19:30
Concerts & Performances
28.11. — 01.12.
In immersive 3D audio concerts and audiovisual performances, sounds and images become a physical experience for the listening body in space. While some sounds reach the sense of touch as vibrations, others only trigger tactile sensations through hearing.
In 3D audio concerts and audiovisual performances, sounds and images are enhanced in immersive compositions to create a physical experience. Under the loudspeaker dome, the audience becomes a listening body in space.
Artists:
• Passion Asasu & Cosmo Schüppel – 27.11. / 8 pm
• John Burnett – 28.11. / 8 pm
• Lucas Gutierrez – 30.11. / 8 pm
• mʊdʌki – 30.11. / 9 pm
• Marcus Schmickler – 29.11. / 8 pm
• WhispersRed – 01.12. / 7 pm
Sauna
27.11. — 04.12.
The collectives Studio Tutti and Twiks e.V. present an interactive program with sauna, relaxation room, installations, festival radio, workshops and scenic improvisation concerts as curatorial guests of the sens Festival.
Opening hours
27.11. / from 8 pm
29.11. / 4-10 pm
30.11. + 01.12. / 2-10 pm
02.-04.12. / 4-10 pm
→ Hourly infusion! Please bring a towel. Recommended donation: 7€
Sauna and HEAT Radio
Studio Tutti is building a sauna for the festival, which invites you to sweat and talk together with hourly infusions. Studio Tutti and guests on RADIO Heat will also be broadcasting live daily from the sauna on frequency 85.50. Everyone is welcome to follow the program daily and get insights into the festival program. There will be a live broadcast in the relaxation room or you can bring your own radio with which you can move around the site. Listen and watch live or come directly to the program. We are always happy to talk to you.
Sculptures @ Ruheraum
The relaxation room contains a series of sculptures connected by hoses. Warm water is pumped from one sculpture to the next in a circuit.
Can I touch the artwork? Or does the work only come to life when I touch it? Is this concrete? And what is this work anyway?
The work Heat Heat Sculptures asserts that artistic work essentially happens in the relationship between ‘work’ and audience and can be no more than an invitation – to work with/in it/for it and therefore.
PLEASURE MAPPING Workshop with Lina Orlando
28.11. / 7 -9 pm
What feels good for you? What gives you pleasure? What makes you want to?
Lina Orlando invites you to touch and be touched – on your skin, by each other, sensually, maybe erotically, definitely explorative and playful. The workshop teaches the method of pleasure mapping: Various touches, tools and (kinky) toys are used to explore the sensual experience on the skin. This allows you to discover your whole body as a large erogenous zone and expand your sexuality with yourself and others.
No previous experience necessary. For queers & friends of all genders and identities, couples and other relationship constellations welcome.
The workshop is free of charge and will be held in German spoken language. The room is barrier-free accessible. Max. 14 participants. Registration & questions to lina@linaorlando.de
Improvisational music on the theme of heat
01.12. /5 -6.30 pm
Invited musicians will play along an experimental musical score on the theme of heat in the relaxation room. The sauna is also open during this period.
Line Up
Amoenus
Amoenus ⁓ Listening Session
29.11. / from 9 pm
Following the concert performance, we invite you to a listening session presenting live-streamed spatial audio concerts from the Amoenus Recordings label launch that takes place at Karmen Camina in Strasbourg, France. The event showcases the artists Abo Abo, MARMO, Simone Bauer, and Formant Value, who explore the experimental edges of electronic music, pushing boundaries in ambient, techno, and electroacoustic soundscapes.
Amoenus is a cultural organisation founded in 2018 that promotes immersive arts through spatial audio. Its new record label, Amoenus Recordings, releases performances from past events in binaural audio, allowing listeners to experience the depth and detail of spatial soundscapes.
amoenus.co.uk
Artists
Abo Abo
Abo Abo (moniker of Daniele Carcassi, 1993) is a sound artist, experimental performer, DJ & producer.Active since 2015 in all kinds of electronic music contexts, he has developed his own recognisable musical style, which uses techno, electroacoustic, organic and textured sounds. His music and live acts create immersive and spatial situations, transporting the listener on a sonic journey within deep and constantly moving environments.
MARMO
MARMO, a collaborative project between Christian Duka (Vādin / Amoenus) and Marco Maldarella (Sinestesie), was born out of friendship and shared passion for music-making. Starting off respectively as the electric guitarist and singer in a metal band nearly a decade ago, the pair have worked their way through various flavours of electronic music inhabiting someplace between ambient and dance music, arriving at their singular aesthetic on this, their second album and first for Utter.
Simone Bauer
Hailing from Terni, Italy, Simone Bauer has emerged as an artist with a unique focus on the deep and hypnotic techno movement. With a background in drumming and passion for nature, Simone Bauer‘s style of production often-times blends the two; offering distinct avenues for his sound to travel. Specialising in designs ranging from deep patterns that encourage internal meditation, to lighter blends of natural timbre and atmosphere, his sound is both dense and uplifting.
Formant Value
Known for his deep and hypnotic compositions, Formant Value fuses the sonic essence of rave with the mystique of nature and the universe. Crafting sonic landscapes that seep into the subconscious, his compositions stimulate an initiatory journey, unlocking the underworld’s doors through insistent, obsidian rhythms drenched into vast dronescapes.
Passion Asasu & Cosmo Schüppel
The Brainless Dancer ⁓ Performance
27.11. / 8 pm
The Brainless Dancer is an interactive performance that explores the complex dynamics of how the gaze of the Other transforms a female body. It reveals invisible structures – recontextualising power dynamics between bodies in space.
As the performing body is breathed by the visitors’ movement, it changes its form. It serves as both medium and protagonist – forcing contradiction while inviting a curious interplay. The Brainless Dancer communicates the experience of a woman’s body trapped in cultural and gendered hierarchies.
Passion Asasu
Passion Asasu, born in 1991, is a multimedia performance artist and designer. Her work centers on the human body—its fluidity, social connotations, functions, and the external forces that shape and disrupt it. Beginning with her own bodily experiences, she transforms personal struggles into thought-provoking performances. To bridge her experiences with others, she integrates interactive elements such as electronics and AI as tools. Her approach often subtly gives the audience control over the performance, fostering a collaborative dynamic of impact and connection through space and time. Her current research explores labour, human-machine relationships and the relentless influence of capitalism. Her favourite colour is pink.
passionasasu.com
Cosmo Schüppel
The ecology- & perception-artist and producer Cosmo Schüppel (b. 2000) researches on the intersections of human and non-human sensing. With a focus on sound, his practice expresses environmental grief, muli-species (miss-)communication, ghosts, sin and lost futures.
Schüppel is based between Weimar, Berlin and Athens – currently exploring greek post-wildfire ecosystems from sensorial, aesthetical and biological perspectives. His transmedial approach stretches over installations, performances, essays, workshops and perception scores.
cosmoschueppel.de
Foto: Florian Voggeneder
Prof. Ercan Altinsoy
How do we understand the world? - Haptics from the perspective of perception, engineering and art ⁓ lecture
27.11. / 7 pm
Haptic perception allows us to actually “get” objects and our environment through touch. However, haptic feedback or interaction is missing in many digital applications (tele-surgery, online teaching, virtual reality, care, etc.). Prof. Altinsoy and his team develop innovative haptic technologies and design haptic signals. In this lecture he explains the basics, shows haptic feedback technologies and current applications, discusses the importance of haptics in art and the interaction between sound and haptic feedback.
Prof. Dr.-Ing. habil. Ercan Altinsoy
Ercan Altinsoy is Professor of Acoustics and Haptics at TU Dresden. His research concept can be summarized as “Development of technical devices with consideration of human perception”. He and his team develop innovative mechatronic systems, in particular haptic wearable devices.
Ercan Altinsoy studied mechanical engineering at Istanbul Technical University and completed his doctorate at the Faculty of Electrical Engineering at Ruhr University Bochum. At the same time, he took part in the International Graduate School of Neuroscience. After his doctorate, Prof. Altinsoy worked at HEAD acoustics. He received the prestigious Lothar Cremer Award from the German Society of Acoustics in 2014 and was a guest professor at Tohoku University in Japan in 2018. He is a member of the core team of the Cluster of Excellence “Centre for Tactile Internet with Human-in-the-Loop” (CETI) and works as a consultant for well-known companies in the fields of haptics, vehicle acoustics, household appliances and sound design.
Foto: Sächsische Zeitung
burgund t brandt
⁓ sound couches
27.11. – 04.12.
for sens, burgund t brandt has developed the 5-channel composition EARTHY, which interweaves sub-frequency (geophonic & hydrophonic) field recordings creating floating frequencies, that address the entire body as a resonance space.
burgund t brandt
burgund t brandt is a sound artist who develops installations, performances and compositions in the field of tension between visual and auditory perception. Her method can be described as a playful dissection of the mundane. Inherent instabilities in the constructions of human(ity)s, nature, communication and medium form the underlying concept, on the basis of which the overlaps between ecology and experimental music are also explored. She works with field recordings, synthesis and (electro-)acoustic instruments. In the reception, the aim is to create experiences of contact in which one’s own body is given the opportunity to become a place where listening can be perceived as an individual resonance space. She is part of the electro-acoustic duo Nadelør, the Cologne ensemble Elektrische Leiter, the artist group PARA and the artistic directorial team of the Seanaps Festival.
burgundtbrandt.com
Foto: Amelie Neumann
John Burnett
HYDRA ⁓ audio visual performance
28.11. / 8 pm
HYDRA is a meditation on the dissolution of the membranes of body, selfhood, and environment. In this immersive multimedia installation, sound, projections, and lights fuse to form replications of individuals inside of it using depth-mapping and spatial audio technology. Once formed, these shadows untether themselves from their creators and undergo processes of transformation and actualization as they transmute through a series of organic and inorganic reifications. The audience will bear witness to the course of these life cycles, during which they may experience the birth and death of societies of digital organisms or the creation and erosion of ecological and synthetic formations.
John Burnett
John Burnett (*1993) is a multimedia artist and technologist based in Paris, France. They create technologically-augmented and reactive multimedia experiences, installations, and virtual reality works as well as sound and projection design for dance, theater, and film productions. Their work revolves around themes such as the slippage of identity in digital representation, (dis)embodiment within virtual and real environments, and virtuality in the context of mystical practice and ideology. John received a PhD in Computer Music at UC San Diego, where they researched audio spatialization and multimodal interaction, and is currently researcher at IRCAM in Paris.
johncburnett.com/
Bild:
Sophia Amelia Eickhoff
Analog sound experience ⁓ exhibition
27.11. – 04.12.
The human auditory system shapes our perception of sound, with the outer ear playing a key role in how we hear and interpret it. This project aims to challenge human perception by extending the outer ear, opening new dimensions of auditory exploration and questioning the limits and functions of human perception and atonomy. How would changes in our body structure affect the way we evaluate, interact and navigate in our physical environments?
Sophia Amelia Eickhoff
Amelia Eickhoff is a German artist who questions the relationship between humans and their connection to the individual and collective environments. She explores human behaviour and patterns of interaction by deconstructing them through speculative, performative sculptures and installations.
Foto:
exe
exe ‚Let’s meet!‘ #3 ⁓ Open network meeting
03.12.
Hello everyone!
It’s time again for an exe „Let’s Meet!“We warmly invite you to join us on December 3rd at ZiMMT and experience this year’s 𝙨𝙚𝙣𝙨 𝙛𝙚𝙨𝙩𝙞𝙫𝙖𝙡 (𝘵𝘢𝘬𝘵𝘪𝘭) together.
ZiMMT (Center for Immersive Media Art, Music, and Technology) is a creative space that brings together artists, developers, and the interested public. Here, innovative approaches in 3D audio, virtual reality, and 360° video are developed and presented. ZiMMT offers a unique platform for immersive art and music, fostering interdisciplinary exchange and knowledge transfer through workshops and events.
Its very own 𝙨𝙚𝙣𝙨 𝙛𝙚𝙨𝙩𝙞𝙫𝙖𝙡 is a festival for multisensory perception that this year expands the scope of immersive arts to a new dimension: haptics. From November 25th to December 4th, ZiMMT will celebrate the senses with 3D audio concerts, haptic exhibitions, and performances—and we’ll be there!
Our concept remains the same: an evening for networking, exchanging ideas, and brainstorming new concepts. This time at a new, inspiring location that allows us to come together in a creative atmosphere.
Join us and feel free to invite friends who might also be interested.
Let’s ZiMMT! 🤝
Lucas Gutierrez
AV live ⁓ concert
30.11. / 8 pm
It has no end and no beginning: Lucas Gutierrez’ new work is a versatile, evolving show, consisting of digital objects, that retain a certain degree of autonomy. With lasers and real-time manipulation he creates unlikely thin surfaces and bright, colourful textures that don’t exist in the physical, while sounds experimentally pass through reminiscences of experimental techno, glitch, bass and broken beat. The performance is an interdisciplinary study in the fields of real-time 3D computer animation and its relationship with the new paradigms of digital culture.
Lucas Gutierrez
Lucas Gutierrez is an Argentinian digital artist and industrial designer. He lives in Berlin. His work ranges from lectures, workshops and audiovisual performances to video art projects that explore new paradigms of digital culture. He dives deep into remix culture and real-time AV-projects, mixing influences from different contexts – from post-work anthropology to abstract quotes from 3D modeling for industrial design. His narratives often address current social anxieties and dystopias, but mostly use a colorful, chaotic language of metaphysics. In the last years, Lucas has lectured at the Berlin University of the Arts and the Weißensee School of Art in the fields of real-time visualization, spatial motion graphics and visuals. His work has been presented internationally, recently amongst others at CTM / transmediale (Germany), Llum BCN Festival d’Arts Lumíniques (Spain), EMA Expo ММОМА (Russia).
www.lucasgutierrez.com
Foto:
Panayiotis Kokoras
Sens ⁓ exhibition
27.11. – 04.12.
Panayiotis Kokoras’ work “Sense” explores tactile, infrasonic, and ultrasonic sensations, extending listening beyond aurality. It offers a synesthetic experience by blending sound with physical sensation. Using a modified chair equipped with diverse tactile transducers, it explores five pathways for experiencing music through the body
Panayiotis Kokoras
Panayiotis Kokoras is an award-winning composer and computer music innovator, currently Regents Professor and CEMI director at the University of North Texas. Born in Greece, he trained in classical guitar and composition in Athens and York. He taught at Aristotle University in Thessaloniki. Kokoras developed the concept of “holophonic musical texture,” where each sound contributes equally to the whole. His work, both instrumental and electroacoustic, is noted for its “virtuosity of sound” and precise sound production. His research spans Sound Composition, Spatial Sound, Mixed Music, Electroacoustic Music, and more. Kokoras has received commissions from institutions like Guggenheim, IRCAM, and Fromm Music Foundation. His works have been performed over 1100 times, earning 95 awards in international competitions. He founded the greek association for electroacoustic music HELMCA and now presides over ICEM.
panayiotiskokoras.com
Foto: Arminas Bižys
Loewe Immerlieb
Vibration Therapy ⁓ sound couches
27.11. – 04.12.
“Vibration Therapy” is a drone sound composition written and produced especially for the sound loungers at the sens Festival, but also for headphones and speakers.
The piece works with frequencies that can be found in the EEG, sine waves, voice and synthetic string sounds. The sound travels deep inside via the skin and bones. It is an attempt to raise awareness for more research in the field of sensory and biofeedback in connection with sound and a 17:11 minute composition to reset. The piece will also be released digitally at the vernissage.
Loewe Immerlieb
Loewe Immerlieb are Anna Rabbow and Michael Terbuyken. As an artist duo, they not only produce music, but also use their installations to explore ways of making sound perceptible through other senses. Using vibrating surfaces, water, sound and light, they build a bridge from music to more reception. Music is translated from the auditory into the visual and tangible.
loewe.immerlieb
Foto: Michael Terbuyken
Manu Mitterhuber
Creation and application of Ambisonics impulse responses ⁓ workshop
30.11. / 3.30 –7.30 pm
The workshop by OTTOsonic founder and musician Manu Mitterhuber approaches the functional principle of an impulse response in general and in the context of room acoustics. The participants measure an acoustic environment and calculate a 3rd order impulse response in B-format, which is then applied to existing material or live inputs.
Manu Mitterhuber
Manu Mitterhuber (*1981 in Austria) trained at the music school in Linz and at the Guitar Institute London. He founded a recording studio in Linz in 2005. He is a co-founder of Zach Records and the OTTO Kulturgenossenschaft, which runs the Alter Bauhof project in Ottensheim. As a musician, he regularly tours Europe and is artistically involved in numerous releases. He is currently working on acoustics, electrical engineering and democratized production techniques with the aim of implementing new, immersive sound concepts. He is the initiator and developer of the project OTTOsonics – open platform for immersive sound, which has been realized in cooperation with the tangible music lab since 2021.
www.ottosonics.com
Foto: Melusines Predvyber
mʊdʌki
mʊdʌki ⁓ DJ Set
30.11. / 9 pm
For the sens festival mʊdʌki (Polina Khatsenka) is presenting an experimental 3D Audio DJ set. The selection is focusing on contemporary electronic music on the edge of bass, post-club, and sound art. Mixing the tracks live she’s also going to spatialize the mix on the 3D soundsystem using the Spatial Clubbing system, which is currently under development at ZiMMT.
mʊdʌki
Polina Khatsenka (mʊdʌki) is a Belarusian sound artist, DJ, and composer, currently based in the Czech Republic. Polina’s work spans electroacoustic performance, sound installations, and spatial audio projects. She holds a Master’s degree in time-based media and is currently pursuing a PhD at the Faculty of Art and Design, University of Jan Evangelista Purkyne in Ústí nad Labem. Her research topic is “Location vs. presence: aural perception as an existential tool in the world of digital culture.” She’s been teaching “Silence. Pause. Rest.” course at Kunstuniversitat Linz since 2021. She has performed at various venues across Europe, where her work delves into the intersections of sound, space, and acoustic ecology through field recordings, synthesis, and spatial audio. Polina also is one of the founders of the phonon~ association specialized in experimental electronic music, which she has been running for the last 5 years.
/polina_khatsenka
Foto:
Lina Orlando
Pleasure Mapping ⁓ Workshop
28.11. /
Lina Orlando lädt ein zum Berühren und Berührtwerden – auf der Haut, von einander, sinnlich, maybe erotisch, auf jeden Fall explorativ und verspielt. Im Workshop wird die Methode des Pleasure Mappings vermittelt: Dank unterschiedlicher Berührungen, Tools und Toys kann das eigene sinnliche Erleben auf der Haut als größte erogene Zone des menschlichen Körpers erforscht werden.
Für Queers & Friends. Keine Vorkenntnisse nötig. Der WS findet in deutscher Lautsprache statt und ist kostenlos. Max. 12 Teilnehmer*innen. Fragen & Anmeldung an lina@linaorlando.de
Lina Orlando
Lina Orlando ist eine queere Künstlerin, Sex Educator und Domina. Schwerpunkte der Arbeit sind Diversität, Kollaboration und Kollektivität mit einem besonderen Interesse an sexpositivem Feminismus, Körperarbeit und BDSM. Aus der eigenen Biografie heraus angetrieben, sich ihren Körper, Lebendigkeit und eine befreite Sexualität zurück zu holen, forscht und lernt Lina Orlando seit 2015 in verschiedenen (Gruppen-)Kontexten zu Körperlichkeit, Sexualität und Begehren. Aus diesen Erfahrungen entstehen u.a. Texte, Bilder, Performances und Workshops. Aktuell macht sie die Sexological Bodywork Ausbildung am ISB Berlin, baut eine neue Selbstständigkeit im Feld des Pleasure Activism auf und kollaboriert u.a. mit Marilyn Nova White. Zuvor war sie Gründungsmitglied der Gruppe greater form, die seit 2014 an der Schnittstelle von Kunst, Aktivismus und Bildung mit stark prekarisierten Kids zusammenarbeitet. 2008 bis 2019 hat Lina Orlando an der FH Potsdam, der ZHdK und der HGB Leipzig Fotografie und Kunst studiert.
Foto: Michi Küpker
Maximiliane Pongratz
Foley – a sonic performance based on materials and textures ⁓ workshop
25.11. / 5 – 9 pm
Sounds connect us to memories and feelings. The perception of tactile sensations triggered by sounds can be learned and controlled. Together we will set short video clips to music using a collection of materials and perceive the complex sound architecture of our world.
Maximiliane Pongratz
Maximiliane Pongratz is a foley artist, sound designer and musician from Leipzig. Her main field of work is customized sound effects and noises for national and international film productions. She also plays as a professional musician with the band “Frittenbude” on stages all over the country and produces film music as well as the project “Ponga Missi”. Maximiliane grew up in the hilly landscapes of Lower Bavaria, where she spent her first adolescence with microphones, mixing desks and an endless love of music. Thanks to her electrotechnical training, she not only knows what needs to happen in front of the microphone but also inside of it in order for people to be touched by sound.
maxipongratz.de
Foto: Elisabeth Pieper
Theresa Rothe
cute crawling cave ⁓ exhibition
27.11. – 04.12.
Theresa Rothe uses dream images and fantasies to explore the unconscious. Her works oscillate between the grotesque and playful, dream and reality, and make tensions visible. The artist invites visitors to confront their own fears, desires and fantasies.
Theresa Rothe
Theresa Rothe, born in Dresden in 1990, is a visual artist who lives and works in Leipzig. In 2024 she will take up a teaching position at the Academy of Fine Arts Nuremberg in the former Lehanka class. Her artistic career began in 2013 with her studies in Fine Arts at the Dresden Academy of Fine Arts, which she completed in 2022 graduating at master-student-class of Prof. Wilhelm Mundt. Theresa Rothe has received several grants, including a working scholarship from the City of Leipzig (2024), the Heimspiel Scholarship from the Kulturstiftung des Freistaates Sachsen (2022) and the Sächsische Landesstipendium für Meisterschüler (2019). Her works have been purchased by the Städtische Galerie Dresden (2024) and the Kulturstiftung des Freistaates Sachsen (2023). Her publications include contributions for ART MAGAZIN (2024) and Kunstforum International (2023).
theresarothe.com
Bild: Bertram Kober
Marcus Schmickler
GLOCKENBUCH IV ⁓ concert
29.11. / 8 pm
GLOCKENBUCH IV is the fourth piece of Marcus Schmickler’s Glockenbuch series and dramatizes spectral shifts caused by the pendulum motion and the Doppler effect in the bell tower. It was commissioned by the Biennale Musica 2023 in Venice.
Marcus Schmickler: composition, performance
MFO : light scenography
Marcus Schmickler
Marcus Schmickler, born in 1968, is a composer-performer of contemporary and electronic music. He resides in Cologne and Graz. Schmickler merges computer music, ensemble composition, performance and scientific subjects. His multi-channel works have been performed on prestigious stages, creating unique auditory spaces. He explores techniques like Shepard tones and ring modulations, deepening his compositions through data sonification and otoacoustic emissions. Schmickler writes on computer music and has won several prizes, including the Rome Prize. He taught at Bard College, at California Institute of the Arts and at Robert Schumann Hochschule. His compositions have been performed by renowned ensembles worldwide.
glockenbuch
Bild: DALLE
Birk Schmithüsen
SpeculativeAI / Exp. #2 (conversation) ⁓ exhibition
27.11. – 04.12.
Birk Schmithüsen’s work for sens consists of a series of aesthetic experiments to make the processes of artificial neural networks perceptible to humans through audiovisual translation. Two AIs are embodied by a light and sound object respectively, which develop an apparent empathy and intentionality in the audiovisual dialog.
conceptional support: AI Center (Gijon/Oviedo/ES). 3D Kalibrierung: Felix Bonowski. Programmierung: Marcus Ding. Produziert am LABoral (ES). Unterstützung: EMARE, Creative Europe Culture Program, ArtesMobiles.
This work was realised within the framework of a European Media Art Platform residency program at Laboral, co-funded by the European Union.
Birk / ArtesMobiles
Birk Schmithüsen is a media artist and producer. In his artistic research, he interprets complex phenomena such as machine learning (ML/AI), big data and climate change as artistic materials. The research results are staged in performances or presented in immersive media installations. His approach is to make complex systems tangible through audiovisual interpretation and thus stimulate discourse. Using data sonification and visualization, the repurposing of new technologies and speculative concepts, he creates systems with life-like behaviour and opens up new perspectives on current issues. Birk Schmithüsen has a degree in fine arts and has been awarded an EMAP scholarship among others. His work has been shown internationally at major media art festivals in France, the Netherlands, Spain, Austria, Germany, Serbia and Brazil, including FILE Festival, Ars Electronica Festival and ZKM.
birkschmithuesen.com
Foto: vog. Photo
Dasniya Sommer
Shibari Bondage ⁓ workshop
02.12. / 5 –9 pm
In Dasniya Sommer’s open Shibari Bondage workshop, interested beginners will get to know the basics of the traditional Japanese bondage technique in three hours and try it out together. The focus is on first experiences with the ropes, efficient body handling, safety principles such as friction and rope tension and intuitive communication, variants of role play and inner attitude.
Dasniya Sommer
Dasniya Sommer is a freelance dancer, choreographer and installation artist. She completed classical dance training in Berlin in the 1990s and studied contemporary dance in New York (Limon, Cunningham, Trisha Brown Institute) and in Berlin with LaborGras. From 1998 to 1999 she was a member of the Staatsballet company in Berlin. Her father, who comes from Thailand, taught her yoga, meditation and Buddhist philosophy from childhood. In her work she deals with her dual identity and develops a critical practice of both normative-aesthetic and cultural body codes. She is part of the Berlin kink community and has been practicing ‘Shibari/Kinbaku’, a Japanese bondage technique, since 2008, from which she has developed a contemporary stage practice. Technically, she is familiar with both the tying up and the part of being tied up and conveys both perspectives from her many years of experience both as a so-called rigger and as a bondage model.
www.dasniyasommer.de
Foto: Werner Amann
Prof. Charles Spence
Sound bites and sonic seasoning ⁓ lecture
01.12. / 6 pm (lecture) + 8 pm (winetasting)
In his lecture, Prof. Spence (University of Oxford) explains and demonstrates how sound influences what we taste or smell – from triggering the autonomic sensory meridian response (ASMR) to a new dish by Milanese chef Federico Rottigni, whose ultra-low frequency component makes many guests cry. He introduces us to “sonic seasoning”, which uses music to systematically change the taste of food and drink, and hopes to invite the audience to experience it for themselves with a glass of wine.
Prof. Charles Spence
Professor Charles Spence is an internationally renowned experimental psychologist with a specialization in neuroscience-inspired multisensory design. Much of his work focuses on the design of enhanced multisensory food and drink experiences, through collaborations with chefs, baristas, mixologists, chocolatiers, perfumiers, and the food and beverage, and flavour and fragrance industries. Prof. Spence has worked extensively in the world of multisensory experiential wine and coffee and on the question of how technology will transform our dining/drinking experiences in the future.
Prof. Spence has worked with many of the world’s largest companies across the globe since establishing the Crossmodal Research Laboratory (CRL) at the Department of Experimental Psychology, Oxford University in 1997. He has published over 1200 academic articles and edited or authored, 16 books including the Prose prize-winning “The perfect meal”, the international bestseller “Gastrophysics: The new science of eating” and his latest book Sensehacking (published in 2021).
Foto: Sam Frost
Klara Spunk
⁓ sound couches
27.11. – 04.12.
For the sens Festival, 3 pieces for 3 sound couches are created. They focus on the physical memory of sound, on the body as a resonance and storage medium and on time travel through sensitive stimuli. Field recordings tangle up with synthetic sounds and explore their similarities.
Klara Spunk
Klara Spunk (*1992 in Chemnitz) is a freelance composer, media artist and graphic designer based in Leipzig and started a musical performance project in 2018 as stage character Marla Spunk, moving between pop and experiment, based on familiar synth soundscapes, field recordings and distorted vocals on the edge of intelligibility. She has been supporting the ZiMMT team in graphics & PR since 2023 and is now active there for the first time as an artist herself.
klaraspunk.com
Foto: Privat
Leonie Strecker
Point of Passage (Terminal) ⁓ concert performance
28.11. / 8 pm
Point of Passage presents a speculative space in which different voices make an appearance. These voices have been recorded, manipulated, scattered, synthesised and dispersed, brought together from different places and different times, connected and torn apart. The performer manipulates the electronic sound with her own voice, yet her voice is not audible to the audience. She subtly imposes control onto the sound, searching for her relationship with it, tracing connections and memories. The voices heard here all have different levels of connection and degrees of proximity to her: her mother, a teacher, an old recording of an ageing castrato, anonymous crowds, a priest, people walking by in the street. In examining her relationship with all these voices and with the types of power and influence they exert upon her, she seeks to escape their immanent structures, creating glitches and short circuits between experience and memory, reality and fiction.
Leonie Strecker
Leonie Strecker is a composer and sound artist. Her work includes electronic and electro-acoustic music, compositions for soloists and ensembles, as well as performances and installations. She explores ideas around the hybridity of form, presence and absence, the connection of memory and experience, and the meaning of concrete and synthetic sound. She lives in Vienna.
leoniestrecker.com
Bild: Den Frie, Betty Krag
Enrique Tomás
Tangible Scores ⁓ exhibition
27.11. – 04.12.
A “tangible score” is a digital musical instrument that incorporates a graphic score in its physical form. When touched, it creates a diverse range of acoustic signals. Sound is generated through a polyphonic concatenative synthesis driven by the machine learning analysis of the timbre at its surface. In the exhibition, three different “Tangible Scores” can be played by the audience themselves.
Enrique Tomás
Enrique Tomás (*1981) is a sound artist and postdoc researcher who dedicates his time to finding new ways of expression and play with sound, art and technology. His work explores the intersection between sound art, computer music, locative media and human-machine interaction. As an individual artist, Tomás’ activity is centered around ultranoise.es and focuses on performances and installations with extreme and immersive sounds and environments. He has exhibited and performed in spaces of Ars Electronica, Sonar, CTM, IRCAM, IEM, STEIM, Reina Sofia Museum Madrid, SMAK, KUMU, etc., and in countless galleries and venues throughout Europe and Latin America. He is an active researcher in musical interfaces for musical expression and Senior Artist at the Tangible Music Lab of the University of Arts Linz.
Foto: Enrique Tomás
Studio Tutti und Twikx e.V.
Ruheraum ⁓ Sauna, installation, festival radio, workshop, scenic improvisation concerts and bar
27.11. — 04.12. / 5—10 pm
The RUHERAUM is open every day of the festival between 5 pm. and 10 pm. and welcomes visitors and situational contributors.
Studio Tutti is building a sauna for the festival that invites you to sweat and talk together. With an infusion program every hour from 7 pm.
Please bring a towel.
Recommended donation: 7€
Studio Tutti und Twikx e.V.
Studio Tutti is a community studio for stage design, costume and experimental musical instruments. TWIKX e.V. is an association of theater makers and artists who share a rehearsal space for play development, workshops and various events. As part of the sens Festival, the artists transform their workspace into RUHERAUM (relaxation space) with a sauna, installation, festival radio, workshops, scenic improvisation concerts and a bar.
WhispersRed
⁓ immersive 3D Audio ASMR-Stream-Performance
01.12. / 7 pm
In the immersive 3D audio performance by ASMR content creator Emma (WhispersRed), we are invited to explore which acoustic and visual stimuli trigger haptic, tingling sensations in us and how we can use them as a relaxing resource. In a live stream on their internationally renowned YouTube channel, WhispersRed will briefly present the phenomenon of ASMR from a research perspective alongside various triggers and, as a connecting element of the online community, provide the framework for the event at ZiMMT. Her ASMR sounds will be interpreted spatially live at ZiMMT and immersively expanded three-dimensionally via the loudspeaker dome. The chat can also be seen via the expansive video projection, in which all those present in the virtual and real space are invited to interact with WhispersRed and, for example, request triggers – i.e. sounds or actions that trigger particularly strong or beautiful haptic, tingling sensations.
Emma (WispersRed)
Emma (WispersRed) has been an ASMR content creator and sound healing practitioner for more than ten years and runs a very successful YouTube ASMR channel, among other things. She lives in London and produces her ASMR videos in a soundproof small garden shed, the “Tingle Shed”. As an ASMR therapist, she works tirelessly to raise public awareness of the positive effects of ASMR. Her book “unwind your mind – The life-changing power of ASMR” was published in 2019. Her goal is to make ASMR a recognized complementary therapy by supporting further research, training others in ASMR and creating a calm retreat for the ASMR community. She experienced the feeling of “tingles” caused by ASMR triggers as a child and for a long time didn’t have a name for it. In 2012, she finally discovered the ASMR community and found out that many others experience similar feelings.
whispersredasmr.com
Foto:
Andreas Wannerstedt
Oddly Satisfying vol.6 & vol.10 2018/2019 ⁓ exhibition
27.11. – 04.12.
Oddly Satisfying is a series of different short loops, each one based upon the idea to trigger some kind of odd satisfaction and that inexplicable feeling we all know.
Andreas Wannerstedt
Andreas Wannerstedt is a Stockholm based artist and art director who crafts 3D sculptures and mesmerizing looping animations. The imagery of Andreas is both sophisticated and whimsical, featuring simple and playful geometric shapes in balanced compositions, together with organic textures and harmonizing color palettes. His perfectly synchronised animations has often been described as “oddly satisfying”, since the overall effect evokes a strangely hypnotizing feeling which makes the viewer relaxed and even meditative. Although his animations are vaguely based on real world behaviours, they often break the boundaries of tolerances, friction and gravity, enabling endless motions of the cleanest order.
Foto:
Luise Wonneberger
touch and horch / material hero*ïnes ⁓ exhibition & kids workshop
27.11. – 04.12.
In the work touch and horch, things become tangible and audible, but our favorite sense – sight – is left out. In material hero*ïnes, materials are examined for their properties and given characters.
Luise Wonneberger will also be holding a free workshop for children aged 8 and over on December 3 / 3–6 pm. In material hero*ïnes, the children explore materials, record their sounds and bring them to life with creative characters on a small stage.
Luise Wonneberger
Luise Wonneberger grew up in Leipzig and studied textile design at Burg Giebichenstein in Halle (Saale). After graduating she founded the small label “S.U.S. – shut up seriousness” for textile upcycling toys and accessories in Leipzig. Since 2017, she has worked for various associations in different workshop formats, from instrument making, theater with and without puppets, screen printing, weaving, rap-and-beats crafting to comic drawing. Since 2020, her work as a freelancer has focused on the Bauspielplatz Ost, while at the same time she creates artistic works, especially figures, masks and puppet theater. For three years in a row, she organized an “insect demo” – a demo with self-built figures, in 2023 she created puppets and stage for the play “Blubb” by Leipzig puppet theater artist Eva-Maria Schneider and in September 2024 she developed the playback puppet workshop and show format “Pupp’n’Roll”, in which participants build puppets and then perform with them.
www.luisewonneberger.de
Foto: Luise Wonneberger
[tac:tile]
The sense of touch is our ability to absorb stimuli through the skin. It shows us in small pieces what surrounds us, allows us to find the shape, texture, size, temperature and movement of what we are – very directly – in contact with. Not an all-round view, not a panorama of sound, a world made up of many tangible individual parts. Even if the sense of touch lacks a wide angle, we can only really grasp many things when we touch them. tactile comes from the Latin tactilis, the same root word from which “tact” originates. It means to feel, touch, the sense of touch and primarily means the touch that we receive. If we actively and consciously feel something, this is also described as haptic perception.
Tactile and acoustic stimuli overlap: we hear waves, vibrations in the air that cause our eardrums to vibrate. Certain frequencies also trigger vibrations in solid matter, which we perceive tactilely on the skin or in the body. Some vibrations are only transmitted to the ear via the bones and we hear “with the body”. Other acoustic stimuli cause a tingling sensation in the neck without any actual contact – the phenomenon is being researched as ASMR (Autonomous Sensory Meridian Response) and has become an artistic medium.
With our skin, we are completely enveloped in our largest organ: On an area of around one and a half to two square metres, we carry very different nerve cells that are specialized in transmitting touch, pressure, pain or temperature to our brain. With the help of Merkel cells, which are mainly located on the lips and fingertips, we can feel objects, sense shapes and find out how hard something is. Another type of sensory cell, the Meissner corpuscles, registers vibrations and lets us know when something moves over our skin. Receptors for cold and pain transmit their information more slowly to the brain. C-tactile nerve fibers react exclusively to caressing, tender touch. They react most strongly to touch that moves at 3 cm per second – the optimum stroking speed?
Some areas of skin have few sensory cells, making our sensations coarser. Others, such as fingertips, lips or erogenous zones, are densely covered with different nerve cells and can sense the finest nuances. In the brain, a tactile stimulus is compared with other sensory information, expectations and knowledge and then interpreted as pleasant or unpleasant. Only then do our sensations and reactions arise.
Without tactile and haptic perception, people would not be able to sit, stand or live. The sense of touch enables us to grasp and hold objects and operate tools. Sensory cells for balance and receptors that help control swallowing and breathing are located in deep layers of skin and in the muscles. We owe our self-perception (proprioception) to our sense of touch. We know where we end and where the other begins. Thanks to receptors in joints and tendons that measure the angle of the joints, we know where our limbs are at all times without looking and can therefore feel with our hands in the dark. Interpersonal touch increases our willingness to enter into social relationships and also to connect emotionally, can make us more helpful and generous, can send us into ecstasy or trigger absolute disgust. Touch enables us to communicate emotional states with astonishing precision.
From November 25 to December 4, the sens taktil festival will focus on the overlaps and interactions between the experience of touch and the experience of hearing: in the rooms of ZiMMT and on the grounds of Kontor 80, we invite you to a joint multi-sensory, synaesthetic exploration in which the boundaries between art and the viewer become blurred. In audiovisual concerts with 3D sound or in an ASMR performance, on sound loungers or in walk-in and touchable installations of the tactile exhibition, in workshops, in the festival sauna or on the tactile path, experiences are created that can be heard and felt.
A production by ZiMMT e.V. 2024
Curation: Felix Deufel, Martin Recker, Paul Hauptmeier
Assistance curation: Konstantin Fontaine
Design, Website & Social Media: Nina Buttendorf, Klara Spunk
Editor: Tabea Köbler
Volunteers: Stella Bratu, Dirk Dullmaier, Jakob Fros, Tore Striezel
Cooperation partners: Amoenus, Livestream @ Sphere Radio, exe.network