Zentrum für immersive Medienkunst, Musik und Technologie
At the sens Festival 2026, the sense of taste takes centre stage in multisensory art. As a cultural and physical phenomenon, the sense of taste connects memory, identity and emotion, and interacts closely with all the other senses. Through exhibitions, performances and workshops, the festival explores taste as an aesthetic and scientific category, creating immersive experiences at the crossroads of art, music, technology and science.
taste [ˈtastə]
Taste [from Middle High German gesmac, “scent, smell, stench, taste”]
It is no coincidence that the term “taste” describes not only a sense but also personal preferences, through which we in turn feel a sense of belonging to certain groups. Whether on the tongue or in the abstract: we distinguish characteristics and define our place.
The sense of taste protects living beings from poison by serving as a testing mechanism for food. The human tongue contains taste receptors for sweet, sour, salty, bitter, and umami. Other sensory cells may be able to directly detect fats; research is far from complete. When we talk about the taste of food, however, we mean far more than just the information provided by our tongue; we evaluate a complex interplay of smell, taste, touch, temperature, and pain stimuli. Sight and hearing, as well as memory, emotion, and our cultural environment, are also closely intertwined with the culinary taste experience. How we evaluate what we taste depends on our socialization. The culture that surrounds us sets the framework for our very personal preferences.
How do we orient ourselves through taste? What does a place taste like? Where do you draw the line between pleasure and disgust? What does the scent of mushrooms sound like? What flavors does the earth itself conceal? What happens to traditional music when it is shifted into the contemporary realm of taste evaluation? How do dishes change when they’re served with sound and visuals? How does the way we eat change the way something tastes?
Through exhibitions, concerts, performances, workshops, and lectures, the festival for multisensory perception sens taste, running from November 25 to December 2, 2026, combines artistic perspectives with science and technology, allowing visitors to experience multisensory interconnections.
Timetable
WED 11.25.
starting 6:00 pm
Opening Reception • Pannel Discussion with Siôn Parkinson & Dr. masharu • DJ
THU 11.26.
8:00 pm
Live Performance: Sandy Chamoun • Jan Jelinek
FRI 11.27.
5:00 pm
Workshop: Earth Tasting • Dr. masharu
starting 8:00 pm
Live Performance: Radial Taste Wokout • Siôn Parkinson
SAT 11.28.
3:00 pm
Workshop: Aftertaste • Jasmine Parsley
5:00 pm
Talk: Finding Complexity in What We Have • Amelie Büchner from Studio Schmaus
6:00 pm
Talk: Marije Vogelzang
8:00 pm
Multisensory Dinner Event • Deufels Küche
— 12.02.
4:00 pm – 8:00 pm
Exhibition
Tickets & Prices
Festival Pass
The ticket for all concerts, performances, lectures, and exhibitions.
• Full Festival: 56€
• Early Bird Ticket: 46€ (available until October 18)
Exhibition
8€ (regulär)
5€ (reduced)
12€ (soli)
Opening (11.25.)
Grand Opening with a Panel Discussion & DJ
5€
Workshops
18€
(Please register in advance through our ticketing system.)
Performances
9€ – 40€
- Tickets are available online or at the entrance, workshop tickets are available only online.
- People with severe disabilities and their companions receive free admission.
Exhibition
11.25. — 12.02.
more infos coming soon
Artists:
- Mattia Casalegno
- Dr. masharu
- Marije Vogelzang
Opening Hours:
Opening Reception on 11.25. / 6:00 pm
Sun (11.29) – Wed (12.02.)
4:00 pm – 8:00 pm
Line Up:
Jasmine Parsley
Aftertaste (Workshop • 11.28.)
Aftertaste is a happening that explores urban space through edible plants. Together, we walk, identify and harvest spontaneous vegetation and cultivated plants, gathering clues about the social and cultural shaping of places, soil composition, nutrients, toxicities and more-than-human co-inhabitants. The plants are then prepared and cooked collectively, culminating in a shared meal. By tasting and cooking often overlooked species, the workshop challenges cultural hierarchies and invites us to rethink our relationships with plants and the familiar spaces around us.
Jasmine Parsley: Berlin-based artist Jasmine Parsley (they/them) explores how places can be read, deconstructed and reimagined through vegetation. With a Master’s degree in Architecture from the Berlin University of the Arts, they approach architecture as a performative practice with transformative potential. Food, especially spontaneous vegetation and weeds, plays a central role in their work. Their collaborative, intersectional practice spans dinners, walks, workshops, happenings, performances and writing, connecting social, political and ecological questions.
Foto: Cornelia Kastelan
Sandy Chamoun
(Performance • 11.26.)
What does it mean to cry without making a sound? Drawing on her new album Sawt El Doumouh (The Sound of Tears), Sandy Chamoun gives voice to the grief and defiance shaped by the wars in Gaza and Lebanon. Written in Beirut between 2023 and 2025, the songs weave together the emotional intensity of Arabic tarab and the polyphonic rituals of Sardinian cantu, layered with Auto-Tune, electronics and heavy percussion. Both mournful and unflinching, the performance refuses silence, drawing flickers of light from grief and despair.
Sandy Chamoun is a singer, performer, actor and sound artist based in Beirut. Drawing on Arabic folk traditions, her work explores social and political themes across music, theatre and sound. She has performed extensively since 2013, including long-term collaborations with Metro Al Madina. She is a founding member of The Great Departed and a member of SANAM, and has released solo projects including Siret El Roeb, FATA17OCT and GHADR. Her work as a sound designer spans film and podcasts, and in 2025 she presented a sound installation at the Sharjah Biennale. Her new solo album SAWT EL DOUMOUH was released in June 2026.
Foto: …
Siôn Parkinson
Stink Music (Performance • 11.27.)
Can sound stink? In Stink Music, Siôn Parkinson combines voice, synth and live spatial audio, created by sound designer Sam Annand for ZiMMT’s 32-speaker installation. The performance conjures a damp, mushroom-rich environment somewhere between sound and smell, sludge rock and vaporwave. Inspired by the stinkhorn mushroom, Parkinson performs in a sculptural costume by English designer Matty Bovan, transforming its pungent smell and striking appearance into a theatrical siren song.
Siôn Parkinson is a Scottish artist, composer and performer whose work explores the sensory and emotional lives of objects and their residues through singing, costume and live performance. Drawn to abject materials and marginal forms of knowledge, he has created performances, films and books about fungal odours, phantom smells, hair and stains. His book Stinkhorn (Sternberg Press; MIT Press) explores how the cultural history of the stinkhorn mushroom can shape listening and music-making. He is currently writing a new book and musical about the colour brown.
Foto: Donald Milne
Jan Jelinek
(Performance • 11.26.)
Jan Jelinek transforms found sounds into what he calls Ecstatic Sound Collages. Live, he improvises with material ranging from field recordings and fragments of popular music to synthetic voices, processing them in real time into loops, textures and drones. His work Social Engineering (2024) turns phishing emails into a collage of language and sound through speech synthesis. At sens Festival, Jelinek performs on ZiMMT’s 32-speaker spatial sound system, allowing his collages to unfold and travel through the space around the audience.
Jan Jelinek transforms source material from popular music into abstract, minimalist sound textures, crafting collages from tiny fragments and shaping them into repetitive loops. Since the late 1990s, he has released music under his own name and aliases such as Farben, Gramm and the fictional sound researcher Ursula Bogner. His collaborations include Sven-Åke Johansson, Sarah Morris and Masayoshi Fujita. In 2007, he co-founded the improvisation trio Groupshow, followed by the label Faitiche in 2008. Since 2012, he has also produced award-winning experimental radio plays for SWR.
Foto: Nikin Nagewadia
Deufels Küche
(Dinner-Event • 11.28.)
One evening. Five acts. All the senses. For sens Festival, Deufels Küche presents a multisensory dinner happening. What we taste isn’t decided by the tongue alone. Taste is a quiet conversation between gut and mind, between memory and expectation, an interplay of all the senses. The evening opens ZiMMT’s multimedia hall to this dialogue. In the dark, sound becomes nourishment. In silence, chewing becomes a concert. Low frequencies make the body vibrate and let the stomach listen in. Scents, textures, colours and sounds tell stories before the first bite confirms them or proves them wrong.
Deufels Küche is a monthly culinary series at ZiMMT in Leipzig’s east, initiated by ZiMMT co-founder and sound artist Felix Deufel. Inspired by the institution’s multisensory discourse, it offers an honest fine-dining experience in which sight, smell, taste, sound and touch merge into a single moment of pleasure. Invited chefs create carefully curated menus, paired with fine wines, aperitifs and homemade non-alcoholic drinks. For sens Festival, chefs Die:le, Philipp Dietrich and Feydrea join forces with , visual artist and designer Maxim M. Chubarov (exe, wasistwert) and artist and musician Ella Kather aka Torte la bûche (Hitness Club) together with the series’ initiator on sound.
Foto: Deufels Küche
Marije Vogelzang
MIND MOUTH audio tasting (Exhibition)
MIND MOUTH is an immersive audio tasting that explores the strange relationship between what we eat and what we think we are eating. Guided through headphones, participants taste a sequence of small bites while their attention, imagination and expectations are deliberately shifted. The same mouth suddenly becomes a different instrument. Taste emerges not only on the tongue, but somewhere between memory, suggestion, senses and mind. MIND MOUTH invites participants to experience eating as something we actively construct — often without realizing it.
(Talk • 11.29.)
What happens when food becomes a material for design? In this talk, Marije Vogelzang introduces her 25-year practice as an eating designer, using food to explore human behaviour, culture, memory, politics, ecology and imagination. Through a selection of projects, she shows how design can move beyond creating objects to shape experiences, rituals and relationships. From intimate interventions to speculative futures, the talk invites audiences to reconsider something we do every day: eating.
Marije Vogelzang is an eating designer, artist and author who has worked with food as a creative medium for over 25 years. Rather than designing food itself, she designs around the act of eating, exploring how it connects us to memory, culture, politics, ecology and one another. Her work ranges from intimate eating experiences and installations to large-scale speculative projects, often inviting audiences to participate rather than observe. She founded the Food Design department at Design Academy Eindhoven and runs the Food Design Playground in the Netherlands.
Foto: Marije Vogelzang
Dr. masharu
Museum of Edible Earth (Exhibition)
Practised across the world for centuries, geophagy, the intentional consumption of soil, clay and chalk, is rooted in a complex interplay of nutritional needs, cultural traditions and medicinal beliefs. The Museum of Edible Earth, founded by artist and researcher masharu, invites visitors to explore this fascinating practice through a growing collection of edible earth samples from around the world. Since 2017, masharu has collected these samples through fieldwork and encounters with communities, scientists, healers, vendors and earth-eaters. Part exhibition, part living archive, the museum brings together the samples and the stories they carry, revealing their geological properties, cultural significance and diverse uses in everyday life.
(Workshop • 11.27.)
Across the world, creation stories tell of humans emerging from the Earth, yet today we mostly treat it as something separate: a vessel for growing food or extracting materials. In this workshop, masharu shares the process behind the Museum of Edible Earth and presents a selection of samples with their stories, cultural knowledge and food practices. Participants are invited to taste the earth, share their sensory experiences and explore how earth-eating traditions differ across cultures, where edible earth comes from and how its material properties shape its flavour.
DISCLAIMER: Eating earth is at your own risk. It is not recommended by Food Authorities.
Dr. masharu is an artist, researcher, earth eater and earth lover, and the founder of the Museum of Edible Earth. Their practice brings together scientific research, personal inquiry and cultural practices, exploring the many ways in which we relate to and understand the earth. Alongside their artistic work, masharu holds a PhD in Mathematics and graduated with honours from the Photo Academy Amsterdam. Their practice has also been shaped by residencies and research fellowships at institutions including the Rijksakademie van Beeldende Kunst, NIAS-KNAW and the Ars Electronica Center. Exhibited in more than 30 countries, their work has received an Award of Distinction at Prix Ars Electronica.
Foto: Thomas Lenden
Amelie Büchner • Studio Schmaus
Finding Complexity in What We Have (Talk • 11.28.)
In this lecture with tasting, Amelie Büchner from Studio Schmaus explores the creative potential of working exclusively with ingredients grown and produced in Germany. What can a limitation make possible? And how can different ways of treating and transforming a single ingredient unlock new flavors, textures and possibilities? Through tastings and examples from Studio Schmaus’ work, the lecture invites participants to look more closely at what is already there as well as to discover how complexity can emerge not from using more ingredients, but from exploring the full potential of each one.
Amelie Büchner started working at a farmers’ market at 15, where she discovered her love for cooking. From 17 onwards, she worked as a freelance cook alongside her philosophy studies, gaining experience in clubs, on film sets and in restaurants. After completing her bachelor’s degree, she interned at a two-Michelin-starred restaurant in Vienna, where she was later offered a position as a chef. There, she met Alan, her future business partner. Together, they moved to Berlin and founded Studio Schmaus, a culinary studio in Kreuzberg. Today, Studio Schmaus develops culinary concepts for brands, hosts dinners and cooking classes, and creates recipes and social media content. Their work is rooted in a commitment to using exclusively German produce from small-scale farmers and producers, exploring regionality through a playful, creative and aesthetic approach to food and hospitality.
Foto: Studio Schmaus
Mattia Casalegno
Kitchen of Memories (Exhibition)
Somewhere between worlds stands an ever-growing tower with thousands of drawers, each one containing a memory left behind by a former guest. This is the realm of the Mad Chef, a mythical cook whose dishes let you step into the memories of strangers.
Each bite, a different life to inhabit: you might become a child losing a beloved toy, feel the odd relief of watching the house you grew up in burn to ashes, or encounter a stray dog you once fell in love with. Taste, sound, and emotion merge into stories about the search for home. The menu becomes an empathy machine, and with each bite you learn more about the Mad Chef. At the end, she might even have a surprise with a memory of your own…
Mattia Casalegno is an Italian artist whose work spans installation, sculpture and mixed reality, using emerging technologies to explore how we perceive and experience the world through our senses. His interest in the sensory dimensions of experience also informs Aerobanquets RMX, his culinary VR work, which has been presented internationally. His work has been shown at institutions and festivals including MACRO in Rome, Mutek and LACMA. For Kitchen of Memories, he brings this exploration of sensory experience into collaboration with chefs Sophia Hoffmann (Happa, Berlin) and Chintan Pandya (Unapologetic Foods, New York). The project is produced by Arkanum Pictures, a production company based in Potsdam-Babelsberg.
Foto: …
Eine Produktion des ZiMMT e.V. 2026